There are eight empty tables taking residence in the painting, and they are placed towards the front of the painting, and also to the right of the diners.

"Café Terrace at Night" is one of three Arles paintings that feature Van Gogh's distinctive star-filled sky. In modern times, the real café on which the artist drew his painting is renamed as the Café Van Gogh and is reconstructed so it could look like the café in the painting.That’s the height of the painter in …

Space is also represented by the crowd of diners that is gathered at the back of the restaurant. Hire a Professional to Get Your 100% Plagiarism Free Paper The repetition of the cobblestones makes the viewer’s eye follow the street around the cafe and toward the people walking the streets. The building that is directly across from the cafe also appears to be a business, and the windows are wider that the buildings behind them.The awning draws the viewer’s eye to the focal point, or center of the painting; the cafe customers. May 10, 2020. The think strokes of the leaves on the tree make it looks as though a wind is blowing through the streets of France. This content is published under a CC-BY license. In his first sketch of the work (above right), van Gogh essentially outlined a cafe terrace at night, but the finished work (above left) has some alterations.

This is one of his most beautiful paintings, full of the light and peace he sought, but never found.Your email address will not be published.Van Gogh loved the night. Another instance of line is evident in the buildings in the painting.

The yellow lights shining off the people, walls, and the street help to communicate the brightness and togetherness of the townsfolk as they eat together. Equally unconventional is that he paints this gas-lit terrace of a café in Arles in situ and in the dark, because colours have a different appearance during the day than by night. In Cafe Terrace at Night the brightly lit cafe radiates with warmth and inviting light, becoming a beacon of yellow set against the rich, dark blue of a night sky, which in turn is illuminated with myriad bright stars.

“Night Café” is one of Vincent’s most powerful communications through art of the human condition and human emotions. The next art element that is evidence in the piece is the element of color.After completing one or more preliminary drawings, Van Gogh would gather his canvas, tubes of paint, and brushes, and would take pleasure in going outside to paint his objects firsthand. The proportion of the front tables compared to the back tables is different, which shows depth and scale. Van Gogh has been quoted as saying that he was influenced by the Arles surroundings, and that he found inspiration in the life and color of the French countryside. The cobblestone street in the work illustrates line use, because they are framed with short, black lines.Repetition and rhythm are both important principles that are present in The Cafe Terrace.

It depicts the interior of the cafe, with a half-curtained doorway in the center background leading, presumably, to more private quarters. Van Gogh struggled with a sense of self worth crisis, and his paintings were not successful pieces during his life.These small lines also add an element of texture to the painting. Yellow walls give on to blood-red walls that lead to an obtrusive green ceiling, and lining the walls are the locals at the bar tables, hunched over in late-night stupor. He writes, “I have a terrible need of–dare I say–religion…then I go outside at night and paint the stars.” He painted this night scene on the spot, at night, using no blacks. The proportion and size of the pedestrians compared to the other elements at the front of the painting show the scale of how far back the people and cafe customers might be sitting.Attached to the wall, there is a large awning, and it covers the diners and the empty tables that are a part of the cafe. Alisa Nozhnina.

These two paintings are alike because they both depict a brightened nighttime scene.Color is highly evident in this painting, and helps to draw the viewer’s eye to certain places in the painting.