Apollo, god of poetry and music and knower of the truth, represents the superiority of Art over Craft, which is embodied by Vulcan, the Roman god of fire and protector of blacksmiths. This work was made in Rome during Velasquez's first visit to Italy. Apollo in the Forge of Vulcan (Spanish: Apolo en la Fragua de Vulcano), sometimes referred to as Vulcan's Forge, is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629.

From his name the adjective "volcanic", that is, pertaining to volcanoes, is derived. As in many of his works, the photographic quality of the objects (mostly metallic: armour, the anvil, the hammers and the red-hot iron itself) that appear in the painting which show realism taken to the extreme. It constitutes praise of artists by raising painting to the level of poetry and music and distancing it from the work of craftsmen. It is outstanding for its references to Greco-Roman statuary —in the treatment of the nudes— and to the Italian classicist Baroque. As a Spanish painter his characters are ordinary people, not idealised as in Italian works. " Apollo in the Forge of Vulcan" (Spanish: "Apolo en la Fragua de Vulcano") is an oil painting by Diego Velazquez completed after his first visit to Italy in 1629. Critics agree that the work should be dated to 1630, the same year as his companion painting "Joseph's Tunic" . This work was totally conceived by Velasquez and wasn't commissioned by anyone. It entered the Prado Museum in 1819.Museo del Prado (Madrid, Madrid, Spain) P01171Student: Policy Statement & Submission Agreement

Apollo in the forge of Vulcan by Diego Velasquez The painting is a story from Greek-Roman mythology. Vulcan could even be said to be quite ugly, and Apollo, despite having ananagramme, mot-croisé, joker, Lettris et BoggleThe subject chosen for this painting is a scene taken fromObtenir des informations en XML pour filtrer le meilleur contenu.dictionnaire et traducteur pour sites webThe painting depicts the moment when the godVelázquez interest in nudes is not surprising, since evidence of this appears from his arrival inLa plupart des définitions du français sont proposées par SenseGates et comportent un approfondissement avec Littré et plusieurs auteurs techniques spécialisés.Copyright © 2000-2016 sensagent : Encyclopédie en ligne, Thesaurus, dictionnaire de définitions et plus. Explanation, analysis, and brief biography. The god of fire and his assistants are interrupted by Apollo, the god of light, who shares some bad news with Vulcan. This is because he was believed to have used volcanoes (still referred to as normal mountains at that time) as his underground forge. Tous droits réservés.Indexer des images et définir des méta-donnéesLes cookies nous aident à fournir les services. The composition is a broadly modified interpretation of an engraving by Antonio Tempesta. En poursuivant votre navigation sur ce site, vous acceptez l'utilisation de ces cookies.On the other hand, Velázquez was always obsessed with achieving depth in his works. Apollo in the Forge of Vulcan is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. The Forge of Vulcan. In this way he portrays depth, rather than just using the view through the window seen at the back of the room. Wearing a laurel crown and orange tunic, the god Apollo enters Vulcan's forge to warn him that his wife, Venus, goddess of beauty, is having an adulterous affair with Mars, god of war. Diego Velázquez, Vulcan’s Forge by Beth Harris and Steven Zucker Diego Velázquez, Vulcan’s Forge , c. 1630, oil on canvas, 223 cm x 290 cm (Museo del Prado, Madrid) Vulcan is the god of fire and blacksmiths. At the back, in the upper right, various different objects can be seen on a shelf which form aDuring his Italian journey he was also influenced byAjouter de nouveaux contenus Add à votre site depuis Sensagent par XML.est motorisé par Memodata pour faciliter lesun contenu abusif (raciste, pornographique, diffamatoire)Toutes les traductions de apollo in the forge of vulcanFixer la signification de chaque méta-donnée (multilingue).Changer la langue cible pour obtenir des traductions.This work was created in Rome without commission at the request of the painterVelázquez was inspired to create this work by an engraving by Antonia Clempesta, modifying it greatly and centering the narrative action on the arrival of Apollo, using a classical This canvas was acquired by Felipe IV in 1634 and is listed in the 1701 inventory of the Buen Retiro Palace, and in the 1772 and 1794 inventories of Madrid's Royal Palace. Museo Nacional del Prado website; http://www.museodelprado.es/en/ingles/collection/on-line-gallery/on-line-gallery/obra/vulcans-forge/Walther, Ingo F.; Paul Gauguin: 1848-1903, The Primitive Sophisticate, Koln: Taschen, 2006 (978-3-8228-5986-5)Wearing a laurel crown and orange tunic, the god Apollo enters Vulcan's forge to warn him that his wife, Venus, goddess of beauty, is having an adulterous affair with Mars, god of war. Apollo came to Vulcan, god and blacksmith affairs, to report that his wife, the beautiful Venus, was untrue to Vulcan. The plot for the film "The Forge Of Volcano" borrowed Velasquez in the Metamorphoses of Ovid. Strong helpers of the Volcano, with whom he forges armor and weapons for gods and heroes, opened from surprise mouths. In this case he started to use what is known as "space sandwiching", that is, putting some figures in front of others so that the sensation of depth exists in the viewers' minds. Vulcan is the Roman counterpart of the Greek god Hephaestus.