William Dargie was born as William Alexander Dargie. Discover (and save!) Self

An interview with painter William Dargie.Watch the official trailer for Season 2 of "Looking for some great streaming picks? His portrait of Corporal Jim Gordon, VC, done in Syria, was damaged by salt water when the ship carrying it to Australia was sunk. As head of the art school of the National Gallery of Victoria for seven years, he advised the employment of some teachers with a more modernist style; several of Australia's major modern painters were to emerge from the school.His landscapes earned greater critical approval, and he found a ready market for his domestic interiors in Britain. Dargie considered the Namatjira one of his best. Add the first question.

Nevertheless, Dargie did not condemn modern artists; they were free to paint as they liked, so long as they did not try to stop him from painting in his way.Sir William Dargie, who has died in Melbourne aged 91, was a portrait painter favoured by the Queen, whose influence played a major part in delaying the tide of modern art from taking hold in Australia until the mid-1970s.When Dargie did his first picture of the Sovereign - a direct and intimate study of her in a yellow dress, which was placed in the Parliament House at Canberra in 1955 - the Queen was so impressed that she asked him to produce a similar one for Buckingham Palace.

An official war artist during World War 2, he contributed more than six hundred works to the Australian War Memorial. The newspapers were divided. Watch: Kids tell us what it's like to go to school in a pandemic and the challenges of being tested Captain Sir William Alexander Dargie CBE (4 June 1912 – 26 July 2003) was a renowned Australian painter, known especially for his portrait paintings. He had two ambitions: to be a Davis Cup tennis player and a poet, but trained as a schoolteacher. The book was published in Artamon, N.S.W. At the age of 93, Judy Cassab can be described as a true veteran in the Australian art scene. Other famous Australians who sat for him included such names as Sir Charles Kingsford Smith, Dame Enid Lyons and Margaret Court. Looking for some great streaming picks? Shortly after its completion, colour prints were made available and the work took on the status of official portrait.Archibald Prize Winner for 1946, Art Gallery of NSWArchibald Prize Winner for 1952, Art Gallery of NSWArchibald Prize Winner for 1947, Art Gallery of NSWFamous &/or Notable Australian Freemasons

The son of a rural worker, he was born in Victoria on June 4 1912 and brought up in Melbourne from the age of 10. A good portrait painter never tried to paint character; the job was to make an accurate transcription of the subject, in which case people would find meaning in the finished work.Dargie's influence was also felt in a number of other official bodies associated with art and the planning of Canberra. This was the first of two portraits he created. . His portrait of Sir Robert Menzies was the front cover of the April 1960 edition of Time Magazine. Such success exasperated critics.William Alexander Dargie came somewhat late to art. Archibald Prize Winner for 1941, Art Gallery of NSWWilliam Dargie was born in Footscray, Victoria, the first son of Andrew Dargie and Adelaide (née Sargent).For The American newspaper publisher, see William E. Dargie.Archibald Prize Winner for 1945, Art Gallery of NSWFile:Seal of the Vice President of the Republic of...While he is best known for his portraits, he also painted other works, such as smaller interior views, landscapes and still lifes.Archibald Prize Winner for 1956, Art Gallery of NSWArchibald Prize Winner for 1950, Art Gallery of NSWFor many postwar immigrants this portrait was their first encounter with an artwork by an Australian artist as it was reproduced on Australian naturalisation papers from the mid-1950s. by order of the artist's family by Australian Artist Editions. William Dargie, Self: Painting People. . He believed that modern art was anti-democratic, and the last refuge of the snob and the reactionary. Dargie had a relaxed view of his work, maintaining that works of art were akin to paper boats which float down a stream, and out of view. Tip: Use double quotes to search for a phrase; Home; About; FAQs; Contact; Essays; Advanced Search; Faceted Browse; Browse; Browse by: Name; Date of Birth; Date of Death; Author; Maps ; Shannon, David John (1922–1993) by Mark Lax and Brian Wimborne. Realism he defined as "making a picture which is a parallel creation to nature". Captain Sir William Alexander Dargie CBE (4 June 1912 – 26 July 2003) was a renowned Australian painter, known especially for his portrait paintings. Dargie painted the Duke of Edinburgh in 1956, as well as official portraits of two Australian Prime Ministers: Sir Arthur Fadden and Sir John McEwen. An interview with painter William Dargie. Between 1946 and 1953 he was head of the Victorian Art School at the National Gallery of Victoria.William Dargie at the Australian War MemorialWhen he was young he met important Australian artists such as Arthur Streeton and Tom Roberts. But he aimed a shrewd parting shot by saying that if the Whitlam government could afford to pay $1.4 million for Jackson Pollock's Blue Poles it could finance an arts centre at Alice Springs, which was noted for Aboriginal artists.When, in 1958, Dargie won yet again, with a portrait of Albert Namatjira, the ill-fated Aboriginal artist, it brought a heart-felt cry from the painter and critic James Gleeson. Jonathan William Dargie is Secretary at Joules Group PLC.

He won the Archibald Prize, Australia's premier award for portrait artists on eight separate occasions; a record held since 1952. Dargie was in his early twenties when a friend took him to an artist's studio, and it was then, by his own account, that his future was set. Australian War Memorial. The Sydney Morning Herald critic said that the portrait was effete, the draftsmanship indifferent and the painting seemed to have nothing to say.Dargie, who died on Saturday, was appointed OBE in 1959, CBE in 1969 and KB in 1970. This article was published online in 2017. Order by: view: per page.