Museum of Contemporary Art, SydneyIdeas about nature and its simulation are central to Piccinini's works, inviting us to question what is 'real' and what is not.

This section features essays and writing on Patricia Piccinini's work..

Patricia Piccinini. She created futuristic sculptures made from fiberglass, steel, and leather, that resemble mutated motor scooters and racing helmets. See available photographs, sculpture, and works on paper for sale and learn about the artist. We offer a targeted service to navigate the art world and its complex structures and rules.

Sep 13, 2015 She studied economic history before enrolling at art school in Melbourne.

Since the early 1990s, Piccinini has pursued an interest in the human form and its potential for manipulation and enhancement through bio-technological intervention. This is the first exhibition to explore the conceptual links between the works of Patricia...It is always a joy to share my passion and collection. Replicating the motion of waves to near perfection, Swell points to a new kind of environment in which the 'real' has become redundant, other than as historical precedent. In this work, the juxtaposition is taken to its extreme, whilst the appearance of the rat in the maze suggests that we are all trapped in a relentless search for individual identity within an increasingly homogenous, media-saturated world.Piccinini's most recent projects extend her interests directly into the realm of artificial life forms, as well as stem cell and cloning technologies.
For any transaction, whether acquisition or sale; discretion, transparency and professionalism are paramount. Made with the aid of computer technology, they collapse reality and artifice, and propose that nature is as much a human invention as it is an empirical concept.

The association of consumer products, from cars to telephones, with sexy young women in advertising campaigns is not new.

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Early in her career, she spent time in medical museums making drawings of preserved specimens. "Alone With The Gods", Museum of Contemporary Art, Sydney (2016)The Shadows Calling Performance by Patricia PiccininiContemporary advertising and the culture of consumerism also finds recurrent expression in Piccinini's art practice.

Email Expanding the hyperrealist tradition in sculpture, Piccinini uses an array of materials—including silicone, leather, and human hair—to form beings that might result from genetic science.

Both before and since this time, her interest in the human body has found expression through the medium of art.

Patricia Piccinini is an Australian artist famous for her hyper-realistic sculptures depicting hybrids between human beings and animals.

Patricia Piccinini, who was Australia’s representative at the 2003 Venice Biennale, is best known for her mutant life-like creatures rendered in silicone and hair, and as these works from the 1990s and 2000s show, she has always been a crusader for getting joy from those things we know to be imperfect, for the values of compromise and community.

The website of contemporary visual artist Patricia Piccinini.

Patricia Piccinini and Victoria Lynn, Director of the TarraWarra...Born in Sierra Leone and raised in Australia, Piccinini first attained a BA in Economic History at The Australian National University in 1988, and later a BA in Painting at the Victorian College of the Arts in 1991.

For any transaction, whether acquisition or sale; discretion, transparency and professionalism are paramount. Patricia Piccinini’s visions of nature and science have drawn international attention to her work. Beasties with soulful brown eyes and long ears, scales, or webbed extremities, appear simultaneously appealing and grotesque.
Despite this, it has existed in various shapes and guises for centuries, from natural cloning in plants, insects and microbes to deliberate cloning in horticulture and inbreeding among humans and in animals. It contains information about and images of her sculptures, photographs, videos, drawings and other artworks. The advances of technology, with its profound impact on human subjectivity, have provided fertile subject matter for Piccinini. The Huffington Post features NMWA artist Amy Sherald’s paintings. The use of the cool, glamorous language of advertising demonstrates the ways in which technology can smooth over the aberrant and make it palatable - and even desirable, like the models themselves. I consider myself a custodian of my collection. At 34 metres tall she's pretty hard to miss. The artist does not propose answers to the questions that she raises, nor overt judgements.

View Patricia Piccinini’s 193 artworks on artnet. We offer a targeted service to navigate the art world and its complex structures and rules. She floats majestically in the morning sky, all 10 breasts hanging pendulously. This website has been produced by the studio of Patricia Piccinni. Nonetheless, the works pose the question: is the airbrushed, computer-enhanced artificiality of the girls really so very different from the 'unnatural' appearance of the rats? The website of contemporary visual artist Patricia Piccinini. I am a human being!"

Lives and works Melbourne) is one of Australia's most celebrated artists. Patricia Piccinini & Joy Hester: Through love... at TarraWarra Museum of Art (24 November 2018–11 March 2019) is an exhibition that reveals shared explorations of love, intimacy, and relationships in the work of two of Australia's leading artists.

Patricia Piccinini lives and works in Melbourne.