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Exercise is rarely enticing until you actually begin doing it, even when it’s for storytelling muscles instead of glutes or biceps. Below are a few exercises culled from various corners of the web and elsewhere that are designed to help you get the most from your character “date,” using a few of the most common driving forces of human behavior. Consider the limitations of your character’s loyalty to the people they care about. This is another exercise along a similar vein to the shipping confession, whereby the character understands that he/she is fictional.

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Occasionally, she spits out something resembling fiction, and has previously served as a contributor to Steampunk Magazine. Writing a novel is a substantial commitment; don’t waste all that time on second-rate characters.

This link leads to a blog post from 2010 by the creator of the blog, Labotomy of a Writer, Anastasia V. Pergakis. It's a way for the writer to detach from a character, since the people we write about are so often heavily connected to ourselves. Confessions are intriguing because they’re the answer to a mystery.

Everybody goes to the grocery store, but not everybody shops the same. Like a date, it’s part of the process of getting to know another person better (in this case, an imaginary person).

Email check failed, please try again How To Write Science Fiction & Fantasy – Orson Scott Card Was your lunch date a success, or have they had better? Become a Better Person Through this Brief Exercise in Character Development—Create Your Personal Portrait of the Good Answer 10 questions to create a personalized chart of what matters most to you. It might be her hypothetical profile for an online dating site or her work bio. Write a description of your character from her own point of view. Or, back to the lunch date metaphor: pack a picnic for the two of you. Exercises mean more work outside of a manuscript, but prompts and short writing sprints allow writers to examine their characters under a different lens than what is possible within the confines of a story’s world. Leah Dearborn is a bibliophile and bookseller from the frigid North Shore of Massachusetts. One way to get around this is to write scenes with your characters that are not part of your story, but which nonetheless help you learn about them.
4 Character Development Exercises That Actually Help! Force your villain to change a flat tire, or have your medieval hero figure out how to make microwave pizza—you might learn something surprising about the people you’re trying to create. One of the best ways to get to know a person is through their choices.

You wouldn’t propose marriage after one conversation, would you? One way to get around this is to write scenes with your characters that are not part of your story, but which nonetheless help you learn about them. 5 Realty Listings That Could Be Your Character’s New HomeCelebrating Dashiell Hammett: The 'Thin Man' Himself5 Ways to Fall in Love with Your Character7 Things Dungeons & Dragons Taught Me About Storytelling But before any of that, test the waters by spending a quiet afternoon with your characters. The words “character building exercise” sound approximately as fun as changing the cat’s litter box or cleaning the gutters. A Prose Writer Dips Her Toe in the Playwriting WorldWhy The Punisher Has No Place In The Police DepartmentAn Interview with the Women Who Wrote ‘Monster, She Wrote’