Getting As Petra Skeffington states, PTSD is not a life sentence and people can work through their trauma to become asymptomatic, but that won’t happen until we start to speak about it openly and honestly.Curtin students’ invention impresses Stanford researchersAir Commodore John Oddie sat for three of Quilty’s paintings and was particularly struck by the way he was captured, “either through a lack of insight or unwillingness, I wasn’t always admitting the truth to myself about my life,”  says Oddie. Ben Quilty: after Afghanistan - the portraits . As part of the larger ‘After Afghanistan’ series, this work is also emblematic of the wider experience endured by many Australians at war and performing peacekeeping missions. They are much looser and wilder than any of Quilty’s previous portraits, with the possible exception of his so-called “Rorschach” works, which were markedly inconsistent. His subjects are bold and confronting yet highly considered, often questioning his own identity, reflecting on the artist’s role as witness and art’s power to make sense of the world.This caring portrayal of Captain Kate Porter following her time spent in Afghanistan’s war zone, is a striking acknowledgement of the lasting emotional and psychological impacts of such exposure.‘Instead of simply focusing on his heavy application of paint and rapidity of execution, one becomes conscious of the intelligence that underpins the action. Ben Quilty / Australia b.1973 / Captain Kate Porter, after Afghanistan 2012 / Oil on linen / 180 x 170cm / Gift of the artist through the Queensland Art Gallery | Gallery of Modern Art Foundation 2018. With only a few strokes of thick paint, Ben Quilty portrays the sadness, the furrowed brows and the ten-mile-gaze of the eleven soldiers he painted. For more information refer to our Quilty didn’t want to paint the soldiers in their uniforms, as he wanted them to be seen for their core emotions and nothing more.Quilty was adamant that he would not let the soldiers stereotype him as an artist as much as he didn’t want to stereotype the soldiers. 8 9266 9266This rich tradition of official commissions has included works by major Australian artists Arthur Streeton, George Lambert, Donald Friend and Nora Heysen, and occupies a unique position in the history of Australian art.Quilty was commissioned by The Australian War Memorial to depict Afghanistan under the firefighters who intentionally choose a profession which puts them into high-risk situations day in and day out.As you walk through Ben Quilty’s exhibition, After Afghanistan, you’re initially struck by the stares looking back at you. collection of the artist. Portraiture for Ben Quilty is about the emotional relationship he develops with his subjects, and the creation of an intimate bond which allows them to place their trust in him to tell their stories. She explores trauma and PTSD with a special interest in people such as soldiers, police officers andCurtin University would like to pay our respect to the indigenous members of our community by Dimensions. The unfocused gazes and bodies strewn in relaxed positions make you question if the subjects are portrayed as dead or alive. Ben Quilty, quoted in Sasha Grishin, ‘A noisy, passionate show from an artist in ahurry, Quilty has just one emotional pitch’, Begin your research with the Australian War Memorial ‘My work is about working out how to live in this world, it’s about compassion and empathy but also anger and resistance.’Create a timeline of images including artworks, news items and other forms of documentation to visually map the history and contributions of Australia’s official war artists.Compare Quilty’s painting of Captain Porter to Hilder Rix Nicholson’s © QUEENSLAND ART GALLERY | GALLERY OF MODERN ARTBen Quilty is one of Australia’s most acclaimed contemporary artists. This enabled him to quickly form strong relationships with some of the soldiers. 8 9266 4444“I felt like seeing the exhibition would help me see what war was like, but it doesn’t” Skeffington says. In that regard, this major work is not merely a formal and technical feat — but representative of a greater cultural maturation regarding the depiction of war within the Australian cultural context.QUEENSLAND ART GALLERY | GALLERY OF MODERN ART1. Quilty may slap on paint like a berserk warrior, but he plans his themes and motifs in the manner of a general mapping out a campaign.’QAGOMA respects your privacy and will not share your personal details with third parties without your consent. Not Currently on Display